MicroMacro (Motorized vs Handheld) examines the fragile threshold between perception and scale, between the mechanical eye and the human hand. Filmed entirely by the artist in remote regions of northern Iceland, the work moves between two contrasting modes of seeing and experiencing: the expansive reach of aerial drone footage and the intimate, unstable proximity of microscopic imagery. Together, these perspectives trace a continuum from surveillance to touch, from estrangement and detachment to texture, vulnerability and participation.